I was thinking about horsemanship, and how learning it is a bit like learning a marshall art. Not that I've ever learnt one of those, but I have heard people talking about it. Practising the move until it's perfect, done in relaxation and without thought - that's how I want to be with my horse.
There are a few basic things that I am working on with my horse at the moment. They are feel, balance, relaxation, co-ordination, and knowledge of the horse and how it moves, and that's about it for me really. At times I have focussed in on any one of these things and thought it was all there was to know about horses, but now I reckon it's all of them that I need to study, understand and work on.
I was watching a girl ride my horse the other day. She was riding him nicely. She is a more experienced rider than me and in some ways it shows. But there were one or two things that I saw there that have prompted me to write this post. I work a lot on my balance, and to be honest that showed up a bit there. When my friend was moving my horse through the shoulder in walk she couldn't get as sharp of a turn as I get. So why was that - same horse after all. I thought about this for a while and then decided that the more you work on feel and balance the more control you and your horse have in situations like that. The difference in weight change front to back might be tiny, but it makes all the difference to how sharp you could make that turn. Right there I'd better say that I want to do this whole thing with no force - just feel - no pulling or pushing ok.
That skill, learning to balance, is something to practice. I am at the beginning of it. Combining it with a nice feel through your body and through your hands - well, I think that is what I need to practise over and over to get the improvement in my horsemanship that I want to see.
So to get a nice feel - well, that's about being able to relax on my horse. I notice that when things get a bit difficult, that is when I tighten up. So I practice making a move and staying relaxed. I have heard people talk about a good seat. No idea what that means myself, but I have worked hard on relaxing in the saddle. Tension and balance struggle to exist together. I know the bits of me that tense up and I am consciously working on ironing them out. If you get on a tricky horse that struggles with a move, say even a simple move like a back up, that's a good time to see what your body does when things are a bit difficult. When your horse floats back like a good un, well, it's pretty easy to relax with that.
Co-ordination and knowledge of the horse's way of going - those are things that I would have chosen to ignore in my past. But now I can see the need. I have to know what affects what, and how the horse needs to travel (I don't mean he needs to take a little road trip - I mean the way he goes best). It's not rocket science - well it might be, but at my level it's not. The fact is the way you use your hands can have a huge effect, so it's important. An example might be if you are asking your horse to bend and you put a slightly backwards and outwards feel into your rein you may well get a lurch to that side. If you put a slightly backwards and inwards feel in the rein you might get a sideways twist in your horses neck. If you put a really nice small upwards feel, neither backwards, outwards or inwards, you will have more of a chance of getting a nice clean little bend.
All these things are quite small points to work on. But that seems to be what it's coming down to for me. I'm quite pleased really. I'd hate it if horsemanship had turned out to be some crap thing where you have to tie your horse down and pull him around all over the place. There's a lot of people still doing that though, aren't there!
Saturday, 6 November 2010
Saturday, 16 October 2010
New interview with Annie
Annie: Hi Tom. It’s been a couple of years since we met up and chatted about horses.
Tom: Yep, it has, and it feels like a lot has happened since then.
Annie: So I’m really interested in what you have been getting up to with the horse-work. Any huge changes?
Tom: Well, I wouldn’t say ‘huge changes’ but yes, we have moved things along quite a way. I’d say all the important stuff is still in place. Working on softness and feel – you never get to the end of that job. But what we have done is made some dramatic changes to our ridden work.
Annie: Oh that’s interesting – cos you were always known as a trainer who didn’t ride much. Are you riding a lot these days?
Tom: Yeah, I do ride quite a bit. I like going out to check the cows. I’m still not a particularly accomplished rider, but I love the work we are doing now. It all makes so much sense to me. I feel like I have finally found out how to ‘be with the horse’ while I am riding him. That was always such a mystery to me – I felt like I couldn’t find the key to that one. But now I’ve got it.
Annie: Go on then, tell me.
Tom: Well, it’s simple stuff actually. I guess in a sentence I’d say, ‘get your horse in balance with you, in the moment, and you’ve got him, right there with you, and that’s it’.
Annie: That doesn’t mean much to me Tom. Explain what you mean by that?
Tom: Well, for years I heard people saying stuff like ‘get your horse off the forehand’ and I had not the slightest idea what they were on about. I presumed it was something that happens to you when you reach a level of riding skill way beyond what I was ever going to get to. I don’t really believe that anymore. I reckon most people (and horses) can get to it. And that’s what I mean by balance. You and the horse balanced with the weight on all four feet. I remember Mark saying once, when he sits on his horse he feels like he is sitting on a ball that could go anyway. When I heard that I thought, mmm that sounds good – well, that’s what it feels like when your horse is in balance.
The thing is, once you open this door, everything starts to make sense. Suddenly straightness is in sight, suddenly it’s imperative that the horse is not bracing, and suddenly it’s important you are not bracing either. It’s important that your horse even-loads his feet. It’s important that you feel the balance, and you, nor the horse, can feel the balance when there is tenseness or tightness in your or his muscles.
And when you feel that balance, then your horse is with you – almost trapped in the moment. It’s a pretty powerful experience.
Annie: That sounds interesting. How did you get to this then?
Tom: Well, I hate to say it but I read it in a book. But really I had to get to it because I was stuck with some work I was doing with my horse.
Annie: Well, tell me about the work, and then tell me about the book.
Tom: OK I will. The thing that got me to it was that I could turn my horse to the right on a circle no problem, but when I turned her to the left she fell over through her shoulder every single time. Sounds simple to me now, but back then I couldn’t work it out at all. So once I explained to her the cues for the two different ways of turning that she was giving me, I suddenly had both options on both sides. At the same time I had to work hard at getting her ‘front to back’ balance sorted. I had inadvertently taught her to overbend at the poll which gave her no option but to be front end heavy. She was also travelling behind the bit which made communication through the reins very difficult. Now I have her very happy with the bit right there, no pressure from either of us, but the bit is right there, happily sitting in her mouth and she is happy with it there too, so where the bit goes her head goes, so it’s all pretty straightforward really. Maybe I should add there – the theory is pretty straightforward, anyway.
Annie: I’ve never really understood the bit. Everyone seems to talk in very vague ways about it.
Tom: Yes, I couldn’t agree with you more about that. What the heck does all that stuff about ‘seeking the bit’ mean, or ‘accepting the bit’. Why don’t people just say what they mean. I sometimes think it’s because maybe they don’t know.
See, some people want their horse to lean on the bit. Well, if you want balance, leaning on the bit is no good. That’s like providing a fifth leg. We need the horse balanced evenly on all four feet, and what’s more, do you really want the job of holding up your horses head. Then other people want their horse behind the bit – I mean by that that the horse is slightly scared of the bit and shies back off it. I found it impossible to have the communication that I want with my horse like that.
When I came across the idea of having my horse completely happy and comfortable with the bit resting in his mouth, and have him happy to follow it wherever I take it, well, that was some kind of revelation for me. Also, the idea of my horse having a soft mobile relaxed jaw is just great. A horse in balance will hold no tension anywhere, and the starting point is his mouth.
Annie: And the book?
Tom: Ooooh, maybe I won’t tell you that. I’ll just pretend I worked all this stuff out on my own. Oh OK, I’ll tell you, but promise not to tell anyone else OK. Actually I’m happy to tell you everything. I’ve told loads of people and most of them walk off like I hadn’t said anything. The odd one or two think it might be useful, and then the odd one of them tries it out. Then the odd one of them sticks with it, and that is fantastic. See, I look at what everyone else is up too and I just think, actually what we are working towards is pretty good really – riding a horse in freedom, or what the French might call ‘legerite’.
The guys you want to read are Francois Baucher, Phillipe Karl, Anje Beran, and Jean Claude Racinet. There’s probably others, but I’d stick my neck out here and say Baucher got this sorted initially. The guy whose book explains it really clearly, for me anyway, is Philippe Karl – I might go as far to say, and bear in mind I have never met him, he is a quite a clever guy. We basically worked through the parts of his book and DVDs that applied to where we were at with our horses. He explains everything – all about balance – I found the whole book, or at least a lot of the book, absolutely spot on. Obviously the more advanced stuff went straight over my head, but that’s actually what I like about this stuff – it’s useful whatever level of horsemanship you are operating at.
Annie: Wow, you’re quite keen on that aren’t you! So where is all this leading to.
Tom: Well, I wouldn’t know where it might be leading to. For me I just chip away slowly at me and my horse – trying to improve what I’m doing. I’m not ambitious really – I just enjoy the feeling when things are going well between me and my horse.
Annie: Thanks Tom, I’ve enjoyed the interview. Shall we pencil another in for a couple of years time.
Tom: Hahaha, Could do I guess. It’s always fun chatting with you.
Tom: Yep, it has, and it feels like a lot has happened since then.
Annie: So I’m really interested in what you have been getting up to with the horse-work. Any huge changes?
Tom: Well, I wouldn’t say ‘huge changes’ but yes, we have moved things along quite a way. I’d say all the important stuff is still in place. Working on softness and feel – you never get to the end of that job. But what we have done is made some dramatic changes to our ridden work.
Annie: Oh that’s interesting – cos you were always known as a trainer who didn’t ride much. Are you riding a lot these days?
Tom: Yeah, I do ride quite a bit. I like going out to check the cows. I’m still not a particularly accomplished rider, but I love the work we are doing now. It all makes so much sense to me. I feel like I have finally found out how to ‘be with the horse’ while I am riding him. That was always such a mystery to me – I felt like I couldn’t find the key to that one. But now I’ve got it.
Annie: Go on then, tell me.
Tom: Well, it’s simple stuff actually. I guess in a sentence I’d say, ‘get your horse in balance with you, in the moment, and you’ve got him, right there with you, and that’s it’.
Annie: That doesn’t mean much to me Tom. Explain what you mean by that?
Tom: Well, for years I heard people saying stuff like ‘get your horse off the forehand’ and I had not the slightest idea what they were on about. I presumed it was something that happens to you when you reach a level of riding skill way beyond what I was ever going to get to. I don’t really believe that anymore. I reckon most people (and horses) can get to it. And that’s what I mean by balance. You and the horse balanced with the weight on all four feet. I remember Mark saying once, when he sits on his horse he feels like he is sitting on a ball that could go anyway. When I heard that I thought, mmm that sounds good – well, that’s what it feels like when your horse is in balance.
The thing is, once you open this door, everything starts to make sense. Suddenly straightness is in sight, suddenly it’s imperative that the horse is not bracing, and suddenly it’s important you are not bracing either. It’s important that your horse even-loads his feet. It’s important that you feel the balance, and you, nor the horse, can feel the balance when there is tenseness or tightness in your or his muscles.
And when you feel that balance, then your horse is with you – almost trapped in the moment. It’s a pretty powerful experience.
Annie: That sounds interesting. How did you get to this then?
Tom: Well, I hate to say it but I read it in a book. But really I had to get to it because I was stuck with some work I was doing with my horse.
Annie: Well, tell me about the work, and then tell me about the book.
Tom: OK I will. The thing that got me to it was that I could turn my horse to the right on a circle no problem, but when I turned her to the left she fell over through her shoulder every single time. Sounds simple to me now, but back then I couldn’t work it out at all. So once I explained to her the cues for the two different ways of turning that she was giving me, I suddenly had both options on both sides. At the same time I had to work hard at getting her ‘front to back’ balance sorted. I had inadvertently taught her to overbend at the poll which gave her no option but to be front end heavy. She was also travelling behind the bit which made communication through the reins very difficult. Now I have her very happy with the bit right there, no pressure from either of us, but the bit is right there, happily sitting in her mouth and she is happy with it there too, so where the bit goes her head goes, so it’s all pretty straightforward really. Maybe I should add there – the theory is pretty straightforward, anyway.
Annie: I’ve never really understood the bit. Everyone seems to talk in very vague ways about it.
Tom: Yes, I couldn’t agree with you more about that. What the heck does all that stuff about ‘seeking the bit’ mean, or ‘accepting the bit’. Why don’t people just say what they mean. I sometimes think it’s because maybe they don’t know.
See, some people want their horse to lean on the bit. Well, if you want balance, leaning on the bit is no good. That’s like providing a fifth leg. We need the horse balanced evenly on all four feet, and what’s more, do you really want the job of holding up your horses head. Then other people want their horse behind the bit – I mean by that that the horse is slightly scared of the bit and shies back off it. I found it impossible to have the communication that I want with my horse like that.
When I came across the idea of having my horse completely happy and comfortable with the bit resting in his mouth, and have him happy to follow it wherever I take it, well, that was some kind of revelation for me. Also, the idea of my horse having a soft mobile relaxed jaw is just great. A horse in balance will hold no tension anywhere, and the starting point is his mouth.
Annie: And the book?
Tom: Ooooh, maybe I won’t tell you that. I’ll just pretend I worked all this stuff out on my own. Oh OK, I’ll tell you, but promise not to tell anyone else OK. Actually I’m happy to tell you everything. I’ve told loads of people and most of them walk off like I hadn’t said anything. The odd one or two think it might be useful, and then the odd one of them tries it out. Then the odd one of them sticks with it, and that is fantastic. See, I look at what everyone else is up too and I just think, actually what we are working towards is pretty good really – riding a horse in freedom, or what the French might call ‘legerite’.
The guys you want to read are Francois Baucher, Phillipe Karl, Anje Beran, and Jean Claude Racinet. There’s probably others, but I’d stick my neck out here and say Baucher got this sorted initially. The guy whose book explains it really clearly, for me anyway, is Philippe Karl – I might go as far to say, and bear in mind I have never met him, he is a quite a clever guy. We basically worked through the parts of his book and DVDs that applied to where we were at with our horses. He explains everything – all about balance – I found the whole book, or at least a lot of the book, absolutely spot on. Obviously the more advanced stuff went straight over my head, but that’s actually what I like about this stuff – it’s useful whatever level of horsemanship you are operating at.
Annie: Wow, you’re quite keen on that aren’t you! So where is all this leading to.
Tom: Well, I wouldn’t know where it might be leading to. For me I just chip away slowly at me and my horse – trying to improve what I’m doing. I’m not ambitious really – I just enjoy the feeling when things are going well between me and my horse.
Annie: Thanks Tom, I’ve enjoyed the interview. Shall we pencil another in for a couple of years time.
Tom: Hahaha, Could do I guess. It’s always fun chatting with you.
Thursday, 23 September 2010
A horseman in the Pyrenees.
We arrived at the centre of the village to meet up with Daniel. Sure enough there he was on his horse - a softly spoken guy on a really nice sort of Section D type mare - in fact she was a Castillon, a rare breed local to the area.
A few hundred yards up the hill Daniel had a couple more horses at his village barn. No saddles or bridles!
'It's quite steep - Hang on the mane if you need to'.
He was right - it was steep and I did have to hang on to the mane. The house was at 1300 metres, and looked out across the mountains. It was a beautiful sunny day and the whole scene felt idyllic. I'm guessing it's pretty tough up there in Winter.
Then he spread the seed, and harrowed it in.
While he showed Paul around the rest of the garden I took the horse back home. She was so sweet to work.
Daniel has lived and worked with his horses in these mountains for 35 years.
A few hundred yards up the hill Daniel had a couple more horses at his village barn. No saddles or bridles!
'It's quite steep - Hang on the mane if you need to'.
He was right - it was steep and I did have to hang on to the mane. The house was at 1300 metres, and looked out across the mountains. It was a beautiful sunny day and the whole scene felt idyllic. I'm guessing it's pretty tough up there in Winter.
After coffee Daniel put some harness on the mare that I had just ridden up the mountain and off we went to his garden to do a spot of work. First he harrowed the ground, including a quick lesson for my son Paul.
Then he spread the seed, and harrowed it in.While he showed Paul around the rest of the garden I took the horse back home. She was so sweet to work.
Daniel has lived and worked with his horses in these mountains for 35 years.
What are horses like this worth - more than money can buy I reckon.
Tuesday, 24 August 2010
Horsemanship for ordinary folk.
Sometimes I stray on to the discussion boards. Nearly always I come away wondering what the hell am I doing with my horsemanship. But if I stay away then I quite happily continue to work away on whatever it is that I am working on. I wish it wasn't like that, but there is still something in me that seems to think I should be millions of miles down the road from where I am.
There is always someone doing something incredible. Some new video or some new idea. Have you seen so and so - riding blindfold, backwards, and without tack. Meanwhile back at the ranch, I am getting on working with my bit and bridle, working with perfecting my right hand bend or getting a nice halt or whatever. Today maybe we trotted a whole circle in balance, in partnership, with both of us happy doing it. Or maybe not - maybe things were a bit bracey, there was a little pull on the reins here and there when maybe I asked for more than I should have. Or maybe we went for a hack and my horse went pretty nice, or maybe she lost her mind a little here and there but generally she was pretty good. And truly, that's about as far as I've got so far with my horsemanship.
So what am I trying to say. Well, I know my aim and I have had it for a while now, and it involves always working on the job that presents itself to me. I want a nice willing horse that softly responds to my requests. Nothing more! I'm not bothered about any extras. Maybe when I get this job done, maybe then I could think about tackless, blindfolded and backwards, but for now I have plenty to do. And quite honestly I'm pretty happy with the way things are going. Since I came across and worked out the 'relaxed mouth' stuff, my horses and my horsemanship have come on a long way.
What I love most of all about all this is that this is good horsemanship within the grasp of ordinary people. Seriously, you don't have to be a super human super horse trainer type of person to benefit from this. With the C1 flexions and a commitment to 'evenloading' the horses feet, a whole world opens up. Working horses this way is good - the horses understand it, but maybe more importantly, so do I.
Wednesday, 14 July 2010
Be good to the horse!
Well, I'm just about at that point where I don't really want to hear any more discussion on horsemanship, but I needed to get that foot trimming post off the top of my blog.
There's just a couple of things really. I want to try and make sure that any horses I work with understand what is going on, as best as I can make sure of that, and I want to carry on practising my balance and relaxation in the saddle, as best as I can make sure of that too.
For the last couple of years I haven't really seen anything else that makes sense to me concerning horsemanship. I'm convinced that there is very little, if anything, to be gained from confusing a horse, and I am equally certain that any ridden work done with the horse out of balance is at very best a waste of time.
I've watched quite a few horses now taking their first few ridden steps in balance. Sometimes they stumble - it's as if they can't believe it is being asked of them. But they soon get it. It feels good to them. From balance comes relaxation. A horse in balance is in the moment, enjoying being there, with his owner, two beings as one. It might start with one small step in walk, and it might seem to the rider that the road ahead is just too long a journey to go on. And I know a lot of folks won't bother to try. But I've lost interest in the other stuff now. I used to wonder where man meets the horse. It took me a while to figure it out. We meet in the moment, but we both have to be there or it simply isn't going to happen.
There's just a couple of things really. I want to try and make sure that any horses I work with understand what is going on, as best as I can make sure of that, and I want to carry on practising my balance and relaxation in the saddle, as best as I can make sure of that too.
For the last couple of years I haven't really seen anything else that makes sense to me concerning horsemanship. I'm convinced that there is very little, if anything, to be gained from confusing a horse, and I am equally certain that any ridden work done with the horse out of balance is at very best a waste of time.
I've watched quite a few horses now taking their first few ridden steps in balance. Sometimes they stumble - it's as if they can't believe it is being asked of them. But they soon get it. It feels good to them. From balance comes relaxation. A horse in balance is in the moment, enjoying being there, with his owner, two beings as one. It might start with one small step in walk, and it might seem to the rider that the road ahead is just too long a journey to go on. And I know a lot of folks won't bother to try. But I've lost interest in the other stuff now. I used to wonder where man meets the horse. It took me a while to figure it out. We meet in the moment, but we both have to be there or it simply isn't going to happen.
Saturday, 12 June 2010
Trimming horses feet
Several years ago my wife went on a barefoot course. I told her at the time, 'don't expect me to get involved, I have enough to do'. Yes, you guessed it - I now spend half my life trimming feet.
I have no doubt that if my horse can go barefoot then I should allow him to. My horse was the original reason we got into trimming because at the time the farrier had let his toes get so long he actually was struggling to walk down hills. We knew something was wrong because he started doing mini bucks to tell us, and when we took his shoes off and trimmed his toes he was immediately back to his old self.
I think I have finally worked out how to do this foot trimming thing properly. My problem in the past was that I didn't have any points of reference on the foot. Despite a few foot gurus trying their hardest to explain, for me it was all a bit vague. Now I have got it (I think). The three fixed points on the underside of the foot are the two heels and the point of the frog. If you use those points as the 'plane of the foot' then from there it is pretty easy to keep the foot in balance. The bit of information that I was missing was the point of the frog, and that was why I couldn't understand how to stop the toe running away from me. I was trimming to the visible sole of the foot and actually on a lot of horses that visible sole, isn't all true sole. And that is especially true where you haven't been taking care of the 'flare'.
So now I have the underside sorted, and I've learnt to trim the frog pretty well, and I'm pretty determined not to have any flare, I reckon my horses feet are starting to look pretty damn good. Ah well, it's only been the seven years since I started. See, this is important, because it's easy enough to have a foot that can go anywhere on any ground, but there was always this problem of the long toe and the resultant separation, not to mention what can be the pretty disasterous effects on the leg and shoulder joints.
You might not be interested in horses feet ( I wish I wasn't), but even if you pay a farrier or a trimmer, it might be handy to have a bit of a picture in your mind of what a good foot might look like. If you put a straight edge across the heel to the toe I reckon it should run parallel to the frog (that's if the frog is trimmed to the point of the frog). If the gap widens towards the toe then I reckon you have probably got false sole, a load of flare, and a long toe.
Bare in mind I have never been on a trimming course and have no qualification whatsoever, so as with everything horse related, don't take someone's word for it - work it out for yourself. I'd be very interested to hear from anyone who has any thoughts on this subject.
I have no doubt that if my horse can go barefoot then I should allow him to. My horse was the original reason we got into trimming because at the time the farrier had let his toes get so long he actually was struggling to walk down hills. We knew something was wrong because he started doing mini bucks to tell us, and when we took his shoes off and trimmed his toes he was immediately back to his old self.
I think I have finally worked out how to do this foot trimming thing properly. My problem in the past was that I didn't have any points of reference on the foot. Despite a few foot gurus trying their hardest to explain, for me it was all a bit vague. Now I have got it (I think). The three fixed points on the underside of the foot are the two heels and the point of the frog. If you use those points as the 'plane of the foot' then from there it is pretty easy to keep the foot in balance. The bit of information that I was missing was the point of the frog, and that was why I couldn't understand how to stop the toe running away from me. I was trimming to the visible sole of the foot and actually on a lot of horses that visible sole, isn't all true sole. And that is especially true where you haven't been taking care of the 'flare'.
So now I have the underside sorted, and I've learnt to trim the frog pretty well, and I'm pretty determined not to have any flare, I reckon my horses feet are starting to look pretty damn good. Ah well, it's only been the seven years since I started. See, this is important, because it's easy enough to have a foot that can go anywhere on any ground, but there was always this problem of the long toe and the resultant separation, not to mention what can be the pretty disasterous effects on the leg and shoulder joints.
You might not be interested in horses feet ( I wish I wasn't), but even if you pay a farrier or a trimmer, it might be handy to have a bit of a picture in your mind of what a good foot might look like. If you put a straight edge across the heel to the toe I reckon it should run parallel to the frog (that's if the frog is trimmed to the point of the frog). If the gap widens towards the toe then I reckon you have probably got false sole, a load of flare, and a long toe.
Bare in mind I have never been on a trimming course and have no qualification whatsoever, so as with everything horse related, don't take someone's word for it - work it out for yourself. I'd be very interested to hear from anyone who has any thoughts on this subject.
Sunday, 30 May 2010
Did we miss something?
Do you think we are getting to a point in horsemanship where there is not a lot left to say? We've been around the houses, tried this and tried that, and realised that the best thing to do is just get on and do it.
I had this idea that I'd get my two riding horses used to ponying each other, so that I could carry my tent, cooker and food on one, and ride the other. We could swap jobs and take turns, or at least they could. So I got the two horses out and tacked Sam up. He was a bit restless and twitchy so I rode him around a bit and then asked Sarah to put a rope on Splodge and hand it to me. Sam saw the rope and kind of squirmed away sideways like he'd seen some kind of a snake. 'What's with this horse' I thought to myself. One day he can do anything and the next day he's scared of a rope. Anyway, we carried on and he got the hang of it. Splodge had her ears back like she was saying, 'Piss off Sam, you can't lead me about'.
A couple of minutes later we'd all got the idea and Sam was going the best he's ever gone. We were all going together as easy as it could be. I love Sam!
You know the trouble with late twentieth/early twenty first century leisure horsemanship - we lack a job. It's a bit like western society - it's just got a bit too much time on its hands, and it thinks just that bit too much.
I had this idea that I'd get my two riding horses used to ponying each other, so that I could carry my tent, cooker and food on one, and ride the other. We could swap jobs and take turns, or at least they could. So I got the two horses out and tacked Sam up. He was a bit restless and twitchy so I rode him around a bit and then asked Sarah to put a rope on Splodge and hand it to me. Sam saw the rope and kind of squirmed away sideways like he'd seen some kind of a snake. 'What's with this horse' I thought to myself. One day he can do anything and the next day he's scared of a rope. Anyway, we carried on and he got the hang of it. Splodge had her ears back like she was saying, 'Piss off Sam, you can't lead me about'.
A couple of minutes later we'd all got the idea and Sam was going the best he's ever gone. We were all going together as easy as it could be. I love Sam!
You know the trouble with late twentieth/early twenty first century leisure horsemanship - we lack a job. It's a bit like western society - it's just got a bit too much time on its hands, and it thinks just that bit too much.
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