Ask yourself this?

Are you making progress with your horsemanship?

I am constantly amazed by the money that people hand over to trainers in return for not a lot really. If you want to employ a trainer to help you progress your horsemanship, here are some guidelines I reckon you should follow.

a) You should make tangible progress in every session.
b) You should leave with more knowledge and less confusion than you arrived with.
c) You should understand what the job is that you are trying to do.
d) Your horse should understand what the job is that you are asking him to do.
e) Your trainer should be concerned if you are not making progress.

That is some basic stuff just about your sessions – The next list is about you and your horse, and is just my opinion. I would go as far as to say that if these things aren’t happening you need to think about what you and your horse are actually learning in your training sessions.

a) You should be learning to relax on your horse.
b) Your horse should be learning to relax with you on board.
c) You should be training your horse without the use of force or restriction.
d) Your horse should be learning to carry you correctly.

Put in a nutshell, I guess what I am saying is if you are using any bracing in yourself, you shouldn’t be. If you are using restrictive tack you shouldn’t be. If you are pulling your horse in at the front you shouldn’t be. If your horse is over-bending he shouldn’t be. If your horse is worried about the bit he shouldn’t be. If you have a backwards pull in your hands you shouldn’t have. If your horse isn’t going forward when you ask he should be. If you are doing all the work to keep your horse going you shouldn’t be. If your horse is travelling on the front end he shouldn’t be. If your horse isn’t willing to do what you ask he should be. And finally, you should understand what riding in balance is.

If you don’t understand anything about any or all of the above you should ask your trainer to explain these things to you, and make sure that you understand his/her answer, and that you are happy with it.

At last!

At last we have written down some principles.

Photo taken at this weekend's clinic

Working with respect for the horse’s physical and mental well-being, and with the aim of improving both.

Teaching the horse to understand, be physically able and mentally willing to do what you want, rather than the rider having to push, hold, cajole, argue, force and ‘manufacture’ the horse.

Understanding that balance is crucial for your horse, especially when carrying a rider, and working to develop it right from the start of training.

Recognizing that without ‘feel’ results will always be mediocre, and that it can be learned (but maybe not taught).

The two ways to train horses.

Surely there must be more than two ways to train a horse. Well, I don't think there are. You either train the horse to accept restriction or you train it to work in freedom. You might think that there is a spectrum between those two extremes, but there isn't. There is a spectrum of restriction, ranging from simply appalling to not too bad. But freedom is freedom, it isn't on a spectrum and you are either doing it or you are not.

One thing is for sure, it's quicker and easier to train a horse to accept restriction, and if you measure progress by what the horse can do, you might even begin to think that it is indeed the best way to go. Walk, trot, canter, hack, hunt, jump, or even do some fancy moves. You can get your horse to do all this pretty quickly by holding it in place. Once the horse has accepted the pressure of the bit in his mouth, and the power of the riders hands and legs, then all he has to do is surrender and go wherever he is pulled or pushed.

I guess it is fairly obvious that I don't like that system of training very much. I can see it suits some people's needs, but the thing is it's not very good really, is it? The horses might be doing a semblance of the job, but there is always something wrong with how it's being done. Because of the restrictions the horse has no natural balance, so his movements are always, at best, going to be slightly wrong. I mean, think about it, if you take away all the physical support from the rider and the tack, could the horse still do all that stuff. Let's face it, he wouldn't have a clue. The restricted horse is trained to accept the movements that the rider physically makes him do.

To sit on a horse that understands to travel in balance, and happily moves to the smallest ask - now that's what I call a nicely trained horse. And producing a horse like that, now that's what I call good horse training.

So what is dressage?

So what is dressage? Is it that ghastly stuff you see where people pull their horses around using severely restricting equipment? Is it forcing your horse into a shape that you saw in a book, but at the same time having no idea why you are doing it? Is it doing fancy moves to show off to your friends? Is it a competition? Is it honing your riding skills to such a degree that you can manufacture the horse that you want? If you think it is any of the above I have to say straight out, for the sake of the horse, I disagree with you. So what is it then? Well, I’m pretty sure it’s exercises to help your horse travel straight and in balance. This is important stuff to a horse, physically and mentally. Straightness and balance make horses feel good. But it’s not something you can force on the horse. You have to train the horse himself to maintain the correct way of going. So if you are using your tack or your seat or your arms or your legs to keep your horse on track, then the job isn’t done. People may think you are a good rider, and you might be too, but the truth is you are manufacturing the horse. Our 2011 clinic plans are now up. http://bewithyourhorse.com/about-our-clinics/

Welcome

Hi.
Thanks for visiting my horse blog. I am taking a break from the blog for a while as I have another project on. If this is your first visit please feel free to read and hopefully enjoy previous posts.
Kind Regards
Tom

Is horsemanship a marshall art?

I was thinking about horsemanship, and how learning it is a bit like learning a marshall art. Not that I've ever learnt one of those, but I have heard people talking about it. Practising the move until it's perfect, done in relaxation and without thought - that's how I want to be with my horse.

There are a few basic things that I am working on with my horse at the moment. They are feel, balance, relaxation, co-ordination, and knowledge of the horse and how it moves, and that's about it for me really. At times I have focussed in on any one of these things and thought it was all there was to know about horses, but now I reckon it's all of them that I need to study, understand and work on.

I was watching a girl ride my horse the other day. She was riding him nicely. She is a more experienced rider than me and in some ways it shows. But there were one or two things that I saw there that have prompted me to write this post. I work a lot on my balance, and to be honest that showed up a bit there. When my friend was moving my horse through the shoulder in walk she couldn't get as sharp of a turn as I get. So why was that - same horse after all. I thought about this for a while and then decided that the more you work on feel and balance the more control you and your horse have in situations like that. The difference in weight change front to back might be tiny, but it makes all the difference to how sharp you could make that turn. Right there I'd better say that I want to do this whole thing with no force - just feel - no pulling or pushing ok.

That skill, learning to balance, is something to practice. I am at the beginning of it. Combining it with a nice feel through your body and through your hands - well, I think that is what I need to practise over and over to get the improvement in my horsemanship that I want to see.

So to get a nice feel - well, that's about being able to relax on my horse. I notice that when things get a bit difficult, that is when I tighten up. So I practice making a move and staying relaxed. I have heard people talk about a good seat. No idea what that means myself, but I have worked hard on relaxing in the saddle. Tension and balance struggle to exist together. I know the bits of me that tense up and I am consciously working on ironing them out. If you get on a tricky horse that struggles with a move, say even a simple move like a back up, that's a good time to see what your body does when things are a bit difficult. When your horse floats back like a good un, well, it's pretty easy to relax with that.

Co-ordination and knowledge of the horse's way of going - those are things that I would have chosen to ignore in my past. But now I can see the need. I have to know what affects what, and how the horse needs to travel (I don't mean he needs to take a little road trip - I mean the way he goes best). It's not rocket science - well it might be, but at my level it's not. The fact is the way you use your hands can have a huge effect, so it's important. An example might be if you are asking your horse to bend and you put a slightly backwards and outwards feel into your rein you may well get a lurch to that side. If you put a slightly backwards and inwards feel in the rein you might get a sideways twist in your horses neck. If you put a really nice small upwards feel, neither backwards, outwards or inwards, you will have more of a chance of getting a nice clean little bend.

All these things are quite small points to work on. But that seems to be what it's coming down to for me. I'm quite pleased really. I'd hate it if horsemanship had turned out to be some crap thing where you have to tie your horse down and pull him around all over the place. There's a lot of people still doing that though, aren't there!

New interview with Annie

Annie: Hi Tom. It’s been a couple of years since we met up and chatted about horses.

Tom: Yep, it has, and it feels like a lot has happened since then.

Annie: So I’m really interested in what you have been getting up to with the horse-work. Any huge changes?

Tom: Well, I wouldn’t say ‘huge changes’ but yes, we have moved things along quite a way. I’d say all the important stuff is still in place. Working on softness and feel – you never get to the end of that job. But what we have done is made some dramatic changes to our ridden work.

Annie: Oh that’s interesting – cos you were always known as a trainer who didn’t ride much. Are you riding a lot these days?

Tom: Yeah, I do ride quite a bit. I like going out to check the cows. I’m still not a particularly accomplished rider, but I love the work we are doing now. It all makes so much sense to me. I feel like I have finally found out how to ‘be with the horse’ while I am riding him. That was always such a mystery to me – I felt like I couldn’t find the key to that one. But now I’ve got it.

Annie: Go on then, tell me.

Tom: Well, it’s simple stuff actually. I guess in a sentence I’d say, ‘get your horse in balance with you, in the moment, and you’ve got him, right there with you, and that’s it’.

Annie: That doesn’t mean much to me Tom. Explain what you mean by that?

Tom: Well, for years I heard people saying stuff like ‘get your horse off the forehand’ and I had not the slightest idea what they were on about. I presumed it was something that happens to you when you reach a level of riding skill way beyond what I was ever going to get to. I don’t really believe that anymore. I reckon most people (and horses) can get to it. And that’s what I mean by balance. You and the horse balanced with the weight on all four feet. I remember Mark saying once, when he sits on his horse he feels like he is sitting on a ball that could go anyway. When I heard that I thought, mmm that sounds good – well, that’s what it feels like when your horse is in balance.

The thing is, once you open this door, everything starts to make sense. Suddenly straightness is in sight, suddenly it’s imperative that the horse is not bracing, and suddenly it’s important you are not bracing either. It’s important that your horse even-loads his feet. It’s important that you feel the balance, and you, nor the horse, can feel the balance when there is tenseness or tightness in your or his muscles.

And when you feel that balance, then your horse is with you – almost trapped in the moment. It’s a pretty powerful experience.

Annie: That sounds interesting. How did you get to this then?

Tom: Well, I hate to say it but I read it in a book. But really I had to get to it because I was stuck with some work I was doing with my horse.

Annie: Well, tell me about the work, and then tell me about the book.

Tom: OK I will. The thing that got me to it was that I could turn my horse to the right on a circle no problem, but when I turned her to the left she fell over through her shoulder every single time. Sounds simple to me now, but back then I couldn’t work it out at all. So once I explained to her the cues for the two different ways of turning that she was giving me, I suddenly had both options on both sides. At the same time I had to work hard at getting her ‘front to back’ balance sorted. I had inadvertently taught her to overbend at the poll which gave her no option but to be front end heavy. She was also travelling behind the bit which made communication through the reins very difficult. Now I have her very happy with the bit right there, no pressure from either of us, but the bit is right there, happily sitting in her mouth and she is happy with it there too, so where the bit goes her head goes, so it’s all pretty straightforward really. Maybe I should add there – the theory is pretty straightforward, anyway.

Annie: I’ve never really understood the bit. Everyone seems to talk in very vague ways about it.

Tom: Yes, I couldn’t agree with you more about that. What the heck does all that stuff about ‘seeking the bit’ mean, or ‘accepting the bit’. Why don’t people just say what they mean. I sometimes think it’s because maybe they don’t know.

See, some people want their horse to lean on the bit. Well, if you want balance, leaning on the bit is no good. That’s like providing a fifth leg. We need the horse balanced evenly on all four feet, and what’s more, do you really want the job of holding up your horses head. Then other people want their horse behind the bit – I mean by that that the horse is slightly scared of the bit and shies back off it. I found it impossible to have the communication that I want with my horse like that.

When I came across the idea of having my horse completely happy and comfortable with the bit resting in his mouth, and have him happy to follow it wherever I take it, well, that was some kind of revelation for me. Also, the idea of my horse having a soft mobile relaxed jaw is just great. A horse in balance will hold no tension anywhere, and the starting point is his mouth.

Annie: And the book?

Tom: Ooooh, maybe I won’t tell you that. I’ll just pretend I worked all this stuff out on my own. Oh OK, I’ll tell you, but promise not to tell anyone else OK. Actually I’m happy to tell you everything. I’ve told loads of people and most of them walk off like I hadn’t said anything. The odd one or two think it might be useful, and then the odd one of them tries it out. Then the odd one of them sticks with it, and that is fantastic. See, I look at what everyone else is up too and I just think, actually what we are working towards is pretty good really – riding a horse in freedom, or what the French might call ‘legerite’.

The guys you want to read are Francois Baucher, Phillipe Karl, Anje Beran, and Jean Claude Racinet. There’s probably others, but I’d stick my neck out here and say Baucher got this sorted initially. The guy whose book explains it really clearly, for me anyway, is Philippe Karl – I might go as far to say, and bear in mind I have never met him, he is a quite a clever guy. We basically worked through the parts of his book and DVDs that applied to where we were at with our horses. He explains everything – all about balance – I found the whole book, or at least a lot of the book, absolutely spot on. Obviously the more advanced stuff went straight over my head, but that’s actually what I like about this stuff – it’s useful whatever level of horsemanship you are operating at.

Annie: Wow, you’re quite keen on that aren’t you! So where is all this leading to.

Tom: Well, I wouldn’t know where it might be leading to. For me I just chip away slowly at me and my horse – trying to improve what I’m doing. I’m not ambitious really – I just enjoy the feeling when things are going well between me and my horse.

Annie: Thanks Tom, I’ve enjoyed the interview. Shall we pencil another in for a couple of years time.

Tom: Hahaha, Could do I guess. It’s always fun chatting with you.